This painting is finished. The photograph I used as reference had an iceberg in it, and when I started painting, I intended to include the iceberg, but move it forward in the composition. I was focussed on the iceberg, although it was only a small part of the image. Hmmm.
My struggle is almost always to stick with my “Less is More” philosophy, to pay attention to the image as it gets its own voice, and be willing to let go of my original plan. To find the perfect balance between what I think I’m doing and what the painting becomes. This painting doesn’t need the iceberg. The omission can be called Artistic License, but I don’t think it’s my decision. It’s looking at the painting and realizing it doesn’t need what I thought I wanted to include.
I think the creative process flows like a river, and my job is to jump in and become part of the flow. Not to struggle to keep my head above water, but to submit to the current and be in the process, pay attention but be detached enough to hear when the painting says, “enough.” I think writers, musicians, golfers, chess players, salmon fishers, race car drivers and more find a similar groove when they do what they do well. Be attentive and adjust constantly but don’t grasp too tightly. Stay in the flow.
Some days are better than others. There is always anxiety at the beginning, my brain telling me I don’t know what I’m doing, I’m not working fast enough, not sticking with the plan, or I could totally screw up. Lose a day’s (or week’s) work. Anything is possible, but that’s all irrelevant. For me, it’s really about the process and the surprises it holds.
Take a deep breath. Mix paint. Dive in.
Reach out and let go.